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For more than 70 years, the fair has brought together some of the leading voices in modern and contemporary art—established galleries, ambitious presentations, major institutions and a global audience that comes to Basel to see not only what is on view, but where the conversation is heading.

The 2026 edition brings together 290 galleries from 43 countries and territories, with Preview Days on June 16 and 17, followed by public days from June 18 to 21. Across the fair and throughout the city, the fair offers a wide view of artistic practice today—grounded in history, alert to the present and open to forms that continue to test the limits of exhibition-making itself.

The main sector Galleries remains the core of the event, where major works of modern and contemporary art are shown alongside younger voices. Around it, the other sections sharpen the fair’s perspective in different ways: Feature through focused historical presentations, Statements with solo booths by emerging artists, Premiere focusing on recent creations, Edition dedicated to prints and multiples, and Kabinett featuring curated installations embedded within gallery stands.

This year, Basel also introduces a new initiative, Basel Exclusive, through which selected works will be unveiled publicly for the first time during the VIP opening. It is a small but telling gesture, reinforcing the fair’s role as a place not only of presentations, but of first encounters.

This expanded encounter continues through Parcours, curated by Stefanie Hessler for the third consecutive year. Stretching along Clarastrasse towards the Rhine, this year’s edition takes “conviviality” as its point of departure, exploring forms of proximity, exchange and the fragile terms on which people inhabit the world together.

As part of this year’s Parcours, the �鶹�� branch at Aeschenplatz will host a special installation by Kader Attia. Long concerned with repair, memory, postcolonial histories and the material traces of conflict, Attia will present Untitled (Rainsticks) (2024/2025), a large-scale sound environment that transforms simple materials into something immersive and unstable. The installation invites visitors to encounter art within a space typically associated with finance, an intentional reframing that speaks to Parcours’ broader ambition of embedding art within the rhythms of everyday life.

The branch will be open to visit throughout the week from Monday–Wednesday, 10:00–20:00, and Thursday–Sunday, 10:00–19:00, at Aeschenvorstadt 1. From Thursday, don’t miss a special giveaway while stocks last.

The site of Aeschenvorstadt 1 holds a perhaps surprising significance in the history of both Art Basel and its host city. Located at Aeschenplatz, one of Basel’s key urban crossroads, the building stands at the intersection of the city’s past and present. Historically linked to the Schweizerische Bankverein (founded in 1872), and later to �鶹�� following the 1998 merger, the location reflects Basel’s long-standing role as both a financial and cultural center. Nearby, architectural landmarks such as Mario Botta’s former �鶹�� building, with its distinctive cylindrical façade and striped stone cladding, reinforce this dialogue between permanence and reinvention, values that resonate across both banking and cultural practice.

For over three decades, �鶹�� has played a central role in Art Basel’s evolution, including through its ongoing engagement with Parcours. By opening its branches as exhibition sites, �鶹�� contributes to a broader cultural infrastructure, where art meets the public not only in institutions, but in everyday civic spaces.

This year’s installation builds on a strong history of projects at �鶹�� locations. Discover more on �鶹��’s participation in Art Basel Parcours through the slideshow below.

Beyond Messe Basel, the city itself becomes an exhibition space. �鶹�� Art Collection artist Ibrahim Mahama����������Գٲ���The God of Small Things (2026), a major public commission on Münsterplatz. Drawing on materials sourced from a Ghanaian rubber factory, the work unfolds as an immersive spatial installation, transforming the historic square into a site of reflection on labor, material histories and global exchange.

Further beyond the fair, Basel’s institutions offer a compelling extension of the week’s program. At the Kunstmuseum Basel, a major retrospective of Helen Frankenthaler brings together more than fifty works spanning six decades, offering an expansive view into the artistic practice of one of the defining figures of postwar abstraction. Installed across the museum’s galleries, the exhibition traces the evolution of her pioneering soak-stain technique while placing her work in dialogue with historical precedents, marking her first institutional solo presentation in Switzerland and the most comprehensive survey of her work in Europe to date.

Alongside it, Cao Fei’s first solo exhibition in Switzerland, Testimonies to the Near Future, transforms the Kunstmuseum into an immersive, city-like environment. Drawing on three decades of practice across video, installation and digital media, the exhibition explores the intersections of technology, urbanization and lived experience, positioning Cao as a leading voice in imagining the conditions of contemporary life.

A short journey beyond the city center, set within parkland on the edge of Basel, the Fondation Beyeler presents Pierre Huyghe—a major exhibition conceived specifically for the institution, bringing together newly created works alongside key pieces from recent years. Known for his boundary-crossing practice, Huyghe creates environments in which film, sound, living systems and machine learning coexist, dissolving distinctions between the real and the imagined. Rather than a fixed display, the exhibition unfolds as a shifting, immersive situation shaped by the entanglement of human and non-human worlds.

Back in the city, Basel Social Club returns for its fifth edition, offering an alternative rhythm to the week. This year, it takes over a vacant office building on Viaduktstrasse in central Basel, reimagining the workplace as a space for reflection rather than production. Across multiple floors, exhibitions, performances, music and informal encounters unfold in dialogue with the building’s architecture, exploring changing ideas of labor, time and value in an era shaped by digitalization and artificial intelligence. 

Once again, in 2026, Basel becomes something more than a fair—Art Basel creates an experience that takes place across the city, inviting visitors not just to see art, but to move through it.